When I went to Vogue Knitting LIVE Los Angeles last September, among my purchases from LIVE Marketplace was Cocoknits pattern Gisela (apologies that there are no posts about my Vogue Knitting LIVE LA adventure…yet). I was in the Habu Textiles booth and there was a sample of Gisela knit-up, so I bought the pattern and some Habu yarn on the spot. And then the whole thing cooled its heels in my closet until June, when I decided I’d like to have it to wear this summer.
Meanwhile, in listening to a Stash & Burn podcast this summer, hosts Jenny and Nicole talked about going to Stitches West and visiting the Cocoknits booth and trying on some really fun samples. I was intrigued, so I looked-up on Ravelry some of the things they saw in the Cocoknits booth at Stitches and made the connection that my Gisela and the stuff they saw were all part of Cocoknits (my mind is just too filled with daily life to make connections quickly these days). In looking on Ravelry I particularly liked Maude, but was hesitant to buy it because I wasn’t sure it would look all that good on me, so I added it to my Ravelry Favorites and thought nothing more about it.
At about the same I started Gisela, I looked at the Churchmouse Yarns & Teas class catalog for this summer and discovered that one of the same classes I’d tried to sign-up for at Vogue LIVE, but had been unable to get into was being offered: Julie Weisenberger’s European Finishing Techniques. So I signed-up. It would be perfect timing, I thought, since since I’d dropped the ball last spring and hadn’t signed my kids up for enough summer camps, taking a summer class might break things up for me a bit, and all the better that it would be in August, the month in which it hits every mom that, no matter how much you love your kids, school can’t start soon enough. I was ecstatic, both at being able to take this class, and at having the chance to take a little break to Bainbridge Island, where Churchmouse is located, even if only for a few hours. I set my sights on August.
So, I continued knitting along on Gisela, and all the while, it had still not occurred to me that I was knitting a Julie Weisenberger design. Yes, yes, even though it clearly said Julie Weisenberger and Cocoknits on the pattern: I tell you, I am just too preoccupied with nonsense these days! Not until the beginning of August rolled around, when I was beginning to wonder if I would get Gisela finished in time to wear this summer, was it that I looked at the pattern made the connection between Gisela, the patterns discussed on Stash & Burn, and the Julie Weisenberger class I’d registered for. That realization was like the heavens opening up and and hearing angels singing. I also wondered if I should have my head examined for not making the connection sooner. Suddenly I realized it would be great fun to wear my Gisela to class, and really set about knitting it in earnest.
Fast forward to two nights before the class: at about midnight I finished seaming Gisela, washed and blocked it. The next morning I put it on to wear to my husband’s boss’s family day at his beach house, and discovered that one sleeve was about 5 cm (2″) shorter than the other! So I spent to the whole ride to the beach house, missing the scenery on the way, picking-out the seams of the short sleeve, ripping-out the cap and knitting up the length. Midnight before the class, I finished re-seaming the sleeve, washed and blocked it again.
The morning of the class was no picnic, as it involved taking my kids to a birthday party in Bellevue on the Eastside, leaving them there with my husband and dashing off to the ferry in downtown Seattle. This would have been easily accomplished if not for the fact that the everything was against me that day. On State Route 520, the Evergreen Green Point Floating Bridge (yes, we really do have bridges that float here, maybe because it rains so much here—I’m kidding) was closed that weekend, so what would have been a quick hop across Lake Washington by toll bridge to Seattle to catch the ferry became a detour by way of the other floating bridge, the Murrow Floating Bridge (this is the bridge that infamously sank in 1990). Once in Seattle, and not living in Seattle proper anymore, I’d forgotten that Seattle is in the midst of its very own traffic nightmare at the waterfront where the ferry dock is because the decaying Alaskan Way Viaduct is being replaced with a tunnel, got caught-up in the mess and missed the last ferry to get to Bainbridge Island in time for class (I thought I’d be at the dock 45 minutes ahead of departure). By the time I was parked in line at the dock I still had a good hour before I could catch the next ferry and stew in my frustration knowing that I would now be an hour late for Julie’s class. My mood was not much alleviated with a brisk walk through downtown while the car sat parked in line, however I made my way to Watson Kennedy Fine Home and bought some locally made JonBoy Absinth & Black Salt Caramels, and I ate these back at the car with the gluten-free peach hand pie from Maninis I’d brought with me. Not healthy eating, but when you miss a ferry for a knitting class, who cares about healthy.
Having caught a later ferry, I arrived one hour late for a 3-hour class, but Julie graciously caught me up during break, and all was good. I’m really glad I didn’t give up just because I arrived late, as Julie is one of those rare people who not only enjoys her craft, but is an enthusiastic and generous instructor, and she had lots to share with us to help us improve our craft. Among the things she covered in the class was: long-tail cast on without running out of yarn, invisible seaming, decreasing and increasing without gaping stitches or stitches that stand-out or detract from the garment, a call for the end of “pick-up and knit x-number of sts” and replacing it with a simple, more realistic pick-up method.
After class, I tried on probably half of her samples, and realized this woman is gifted with a creativity for designs that are often unique and yet feminine. In the end I bought the patterns for Maude and Veronika.
As for Gisela: I am surprised how much I like wearing it. I knew I’d like it, but I wasn’t too sure about wearing something with such an open stitch gauge, but I like the way it dresses-up a t-shirt on a summer day and gives a hint of warmth when in an air-conditioned environment. I’ve read that one or two people on Ravelry don’t like the way the collar doesn’t lie flat, but it doesn’t bother me, since I like the way it is, with it’s own character. It’s perfect for me.